Archive for February, 2011

Work/Passion

Doing what you love
Can it really be called work?
Work would be all else

“Work”

Acting. Music. It’s what quenches the fire within me and yet stokes it at the same time. It’s what fills me up, fulfills me, makes me happy. It’s when I feel the most alive and the most “in my element.” It is why I am here. It’s what satiates the hunger. It’s when I shine most brightly as my true self (which is kind of ironic to say about acting). I guess I shouldn’t really call it “work”. It’s my passion. I guess “work” would be anything else I do for money.

Valentine’s Day

Always express love
Not when Hallmark tells you to
Show your love daily

Special Valentine’s Day Greetings

I know. The last “Live Imperfect Raw Acoustic” (LIAR? RAIL?LAIR?) video I posted was, like, in the paleolithic era but here’s a new one for Valentine’s day.

And this one has a generic intro so that you can tell your partner (or just someone you like) that I recorded it special just for them.

*I do not guarantee the success of this ruse nor am I responsible for any ramifications

And as a bonus, this unearthed Valentine’s video from Trent Reznor of Nine Inch Nails (beware: profanity and sexual themes).

Epiphanies

Be interesting
This can’t be emulated
Do not try, just be

Epiphanies in Acting

I tweeted earlier “the secret to acting (and one of the hardest things) is to BE interesting and not to TRY to be interesting”. This was as I was sitting on set preparing to shoot a small role as a bartender and trying to find a way to make this small part “interesting” to watch. I needed to quit trying to be interesting.

This brought to mind another example from my own life when I was auditioning for a 3 line role as an FBI agent. I went in and just read my 3 lines as naturally as I could, in character. I didn’t really think I had done anything all that original or spectacular but when I finished my 3 lines, the room erupted in laughter and praise about how great I was. I smiled and thanked them and left, a bit baffled. To me, I just delivered my lines as real and naturally as I could, as the character I had created in my head. I wasn’t trying to be funny or interesting but apparently I just was.

I got the part and the director actually expanded my role and wrote me into several more scenes and into the sequel.

Another story I’ve heard was something about Marlon Brando in a stage production where he was not the focus of the scene. He was just supposed to walk across the stage eating an apple while some other characters were having a conversation. However, there was so much going on inside his head, behind his eyes, that he was utterly captivating and stole everyone’s attention, and the scene, from the main characters.

This is obviously a tough balance to strike (in fact, much of acting is a balancing act…to be prepared, but not too prepared, rehearsed but not too rehearsed). As actors, we all have our own methods and tools and in the end we are acting, pretending but sometimes if you can just inhabit that character as a real person, you will be far more interesting than trying to find some artificial way to make that character interesting.

In the immortal words of a master (Jedi master, that is), “Do or do not, there is no try.”