Monthly Archive: March 2020

26
Mar
2020
18:12

One Capo To Rule Them All

Guitartists: I have found the one capo to rule them all. The G7th Performance 3 ART capo.

I have used Kyser, Dunlop, Shubb, D’Addario, Thalia ($75!) and they all have their issues. The most common capo issues are that guitars have different neck radiuses (or Radii) or how flat or curved they are. Capos are a fixed radius and therefore may not follow the profile of your fretboard perfectly and could cause buzz on the outer or inner strings depending on the capo vs. your radius. The Thalia capos seek to remedy this by having different shaped inserts for the capo. You pick the one that matches your guitar’s radius. However this means that if you want to use the capo on another guitar with a different radius, you have to change inserts. I also had to order a special pack of XL inserts to fit my Rain Song acoustic. The standard ones weren’t tall enough. I also found the Thalia too bulky. Playing a B7 shape at the 7th fret was difficult with the high profile of the capo. The Thalia also suffered from the other common problem…

The other is that any spring-loaded capos have a fixed tension and I find that on some guitar, they will push the strings sharp. Now recently, I found the Shubb and D’Addario capos remedied this problem with adjustable tension. The Shubb had become my favorite due to it’s small size and just generally having a good quality feel.

The other common problem is that any spring-loaded capos have a fixed tension and I find that on some guitars, they will push the strings sharp. Now recently, I found the Shubb and D’Addario capos remedied this problem with adjustable tension. The Shubb had become my favorite due to it’s small size and just generally having a good quality feel.

Then I discovered the G7th Performance 3 ART capo. They ART stands for “Adaptive Radius Technology.” The pad on this capo is built in such a way that it can adapt to the radius of your neck. It also has a really cool and unique tensioning mechanism where you squeeze it on and it stays however tight you squeeze it so you can put just enough pressure as necessary to get a nice clear sound without pushing strings sharp.

At $45 it’s more expensive than any of the others except the $75 Thalia, but I think it’s worth it. My second choice would be the Shubb. Enjoy the fruits of my labors and the knowledge gleaned from way too much money spent on capos over the years.

The other is that any spring-loaded capos have a fixed tension and I find that on some guitar, they will push the strings sharp. Now recently, I found the Shubb and D’Addario capos remedied this problem with adjustable tension. The Shubb had become my favorite due to it’s small size and just generally having a good quality feel.

Then I discovered the G7th Performance 3 ART capo. They ART stands for “Adaptive Radius Technology.” The pad on this capo is built in such a way that it can adapt to the radius of your neck. It also has a really cool and unique tensioning mechanism where you squeeze it on and it stays however tight you squeeze it so you can put just enough pressure as necessary to get a nice clear sound without pushing strings sharp.

At $45 it’s more expensive than any of the others except the $75 Thalia, but I think it’s worth it. My second choice would be the Shubb. Enjoy the fruits of my labors and the knowledge gleaned from way too much money spent on capos over the years.

A video I made, pretty much just saying everything I just said here.

26
Mar
2020
18:08

Winner

So many capos
Finally one rules them all
The G7th wins

23
Mar
2020
13:05

Dream Theatre 53

I had a dream where someone reached to shake my hand and I was like “Hey, sorry, can’t do that right now.” Sign of the times.

I also had a dream that John Herndon was producing a western and I was one of the leads. He also then asked me to direct it. I was thrilled to do so but as we were setting up a shot, the gaffer seemed very stand-offish and resistant to me and had an attitude so I took him aside and introduced myself and was very kindly like “So what’s the issue here?”

He said he had worked with me on a few shorts and just didn’t like me or think I should be directing. I told him I was sorry he felt that way and hoped I could change his mind.

As we tried to get the next shot, we were very quickly losing the light and then very suddenly it was gone so I started looking for alternatives.

Later, I was trying to wrangle everyone to get another shot and everyone was kind of scattered. I asked what was going on and they said John and some others were part of a Q&A panel going on. That’s when I noticed that this ghost town we were shooting in was having some kind of festival and so there was a lot of people and music and stuff going on. We couldn’t do anything until the panel was over and even then with all the people and noise there was no way we could get a shot.

Someone asked if this meant we would be working super late and I said no, I didn’t believe in that. I was going to hold to reasonable days because pushing people gets diminishing returns so we’d figure it out later and try to move quickly and find ways to make up time and maybe shots we could cut.

Then I woke up. That imaginary gaffer is probably gloating.

23
Mar
2020
13:05

Dream 53

A western movie
Headaches as the director
Skeptical gaffer